I am with E. (a former student), her female cousin, and a male Spirit Questor. We are on T.M. Kalaw Street. I have just come from my house, which for some reason is at Manila Hotel. I urge them to come with me because I need to give them three of my paintings, something I'd been wanting to do for some time. We go to my office, which is in the old U.S. Embassy building. The male Spirit Questor is no longer with us. I take E. and her cousin through the visa line in the lobby. I am hoping that they will be let in because they are with me. I see Ian, a consul, and he helps us get through the glass doors. E.'s cousin is very reluctant to come with us, and I have to drag her along.
We go through very cramped corridors and then squeeze through a gap beside an antique platera. As soon as we come through, we are in a very spacious and ultramodern office lobby. I go to my room and take three paintings from the stack of canvases.
My interpretation:
I bridge the motif of paintings to the fact that I am currently painting Sarah's portrait, and that it is something I have owed her for a long time.
I feel that E. is somewhat ill in real life, and wants to communicate with me.
Upon waking I sensed that my spirit guide told me, "There is an actual, secret passage beside that glass cabinet." I know that the glass cabinet being referred to is the one that contains the shrine of my two ___________.
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